Wax Poetic Archives
- Volume XIV: The Numero Group’s Labyrinthian Long Tail
- Volume XIII: Clothesline Revival’s View of a Century
- Volume XII: The Soul Of Hank Shocklee
- Unpublished: An Open Letter to Rick Rubin
- Volume XI: "All Debts Must Be Paid": Alan Moore, Umberto Eco, and the Nature of Appropriation
- Volume X: Online Archives
- Unpublished Kahle v. Ashcroft
- Volume IX: The Future of Collecting
- Volume VIII: Record Collecting in the Lost Provinces (with Marshall Wyatt)
- Volume VII: In the Basement at 78 RPM (Joe Bussard)
- Volume VI: Accessing the Past in Eldred v. Ashcroft (parts 1 and 2)
- Volume V: A Review of Texts
- Volume IV: 50 x Sampling Remixed by Lowell Butler
- Volume IV: 50 x Sampling (John Oswald Plundered)
- Volume III: Transformative Fair Use (with Negativland)
- Volume II: "If God were a DJ, He'd be Harry Smith"
- Volume I
from To The Quick:
Backspinning Signifying: Hip Hop Loops, Beats, and Samples
from Mississinewa Press (1997):
"He's the DJ, I'm the
Turntablist": The Progressive Art of Hip Hop DJs
Joe
Allen, Ph.D.
Dutchess Community College
Department
of English and
Humanities
allen@sunydutchess.edu
